Advertising and the Transformation of Screen Cultures
Advertising and the Transformation of Screen Cultures
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15.6 x 23.4 cm
Table of Contents
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Introduction (Bo Florin, Patrick Vonderau, and Yvonne Zimmermann)
1. Early Cinema, Process Films, and Screen Advertising (Yvonne Zimmermann)
Part I. Approaches and Methods
2. Advertising and Modernity: A Critical Reassessment (Patrick Vonderau)
3. Advertising and Avantgardes: A History of Concepts, 1930-1940 (Yvonne Zimmermann)
4. Advertising as Institution: Charles Wilp and German Television, 1950-1970 (Patrick Vonderau)
5. Advertising and the Apparatus: Cinema, Television, and Out-of-Home Screens (Yvonne Zimmermann)
6. Advertising as Commercial Speech: Truth and Trademarks in Testimonial Advertising (Patrick Vonderau)
7. Advertising's Self-Reference: From Early Cinema to the Super Bowl (Yvonne Zimmermann)
Part II. Cases and Materials
8. Moving Objects: The Case of Volvo (Bo Florin)
9. Cinematic Intertexts: H&M Goes YouTube (Bo Florin)
10. Beyond Promotion: The UN Global Goals Campaign (Bo Florin)
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Reviews and Features

"Advertising and the Transformation of Screen Cultures is a project that on top of its inspiring close-readings helps rethink many aspects of advertisement but also of screen culture in general. More precisely, it stresses the mutual relationships of advertisement, screen, and culture."
- Jan Baetens, Leonardo Reviews, November 2021

"With Advertising and the Transformation of Screen Cultures, Florin, Vonderau, and Zimmermann have crafted an expansive, groundbreaking study of advertising's industrial practices and cultural forms. Covering a range of national contexts, media objects, and historical moments, the book’s authors provide an exciting window into the dynamic relationship between advertising and moving images."
- Alisa Perren, University of Texas

"Remarkably ambitious in its scope, theoretically sophisticated, and always grounded in richly detailed original research that ranges from early cinema to YouTube, Advertising and the Transformation of Screen Cultures is an invaluable contribution to the history of screen advertising and media studies more generally."
- Gregory A. Waller, Indiana University

Advertising and the Transformation of Screen Cultures

Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects (products and services), screens (exhibition, programming, physical media), practices (production, marketing), and intermediaries (ad agencies). In this way, the book develops new historical, methodological, and theoretical perspectives.

Bo Florin

Bo Florin is Professor of Cinema Studies at the Department for Media Studies, Stockholm University, Sweden.

Patrick Vonderau

Patrick Vonderau is Professor of Media and Communication Studies at the University of Halle, Germany.

Yvonne Zimmermann

Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg, Germany.